Theoretical Justification For Systematization Of Genres And Styles Of Contemporary Uzbek Variety Music
PDF

Keywords

analysis of variety song
notation
rhythm
form
ladointonation line
arrangement
content
vocal interpretation

How to Cite

Amanova, N. (2020) “Theoretical Justification For Systematization Of Genres And Styles Of Contemporary Uzbek Variety Music”, Eurasian music science journal. Tashkent, Uzbekistan, (1), pp. 31–43. doi: 10.52847/EAMSJ/vol_2020_issue_1/A1.

Abstract

Genre-style research of contemporary variety music requires the development of new methodological approaches. The available classifications and methods, unfortunately, do not allow to fully analyze the genre-style structure of Uzbek variety music. Another problem in the analysis of genre-style affiliation is the notation of variety music composition. This is due, among other things, to the fact that note fixation cannot fully reflect the style affiliation expressed through rhythmic "pulls," special effects, sound distortion and other attributes of modern variety music. As part of our research, a new method of combined note-hearing analysis has been developed. Algorithm of analysis and isolation of components of variety composition is formulated.

https://doi.org/10.52847/EAMSJ/vol_2020_issue_1/A1
PDF

References

Cohen, S. (2012). Live Music and Urban Landscape: Mapping the Beat inLiverpool. Social Semiotics, 22 (5), pp. 587–603.

Gray, A., Bell, E. (2013). History on Television (1nd ed). Abingdon, UK andNew York: Routledge.

Loy, S., Rickwood, J., Bennett, S. (2018). ?opular music, Stars and Stardom.Australia: ANU Press.

Oramas, S., Nieto, O., Barbieri, F., Serra, X. (2017). Multi-label music genreclassification from audio, text, and images using deep features. Proceedings of the18th ISMIR Conference, Suzhou, China, October 23-27, 2017 (23-30). Suzhou:ISMIR.

Osborne, R. (2012). Vinyl: A History of the Analogue Record (1nd ed).Abingdon, UK and New York: Routledge.

Strähle, J., Kriegel, A. (2018). Fashion and Music: A Literature Review (1nd ed).Singapore: Springer Singapore.

Bel'tjukov, A. (2016). Stilevoj genezis massovoj muzykal'noj kul'tury XX veka(na primere SShA i Velikobritanii) [The stylistic genesis of the mass musical cultureof the twentieth century (on the example of the USA and Great Britain)]:(Dissertation of the candidate of cult.). Retrived from http://www.dslib.net/teorja-kultury/stilevoj-genezis-massovoj-muzykalnoj-kultury-xx-veka.html.

Bonfel'd, M. (2003). Analiz muzykal'nyh proizvedenij: Struktury tonal'nojmuzyki: ucheb. posobie dlja vuzov (1-ja red.) [Analysis of musical works: Structuresof tonal music: textbook for universities (1st ed.)]. Moscow: Gits Vlados.

Danchenko, N. (2012). Problemi vza?mod?? mistectva, pedagog?ki ta teor?? ?praktiki osv?ti [Problems of interrelationship of art, pedagogy and theory andpractice of education]. 1st ed., pp. 354-361. Kharkiv: TOV "S. A. M.".

Zaderackij, V. (2003). Jelektronnaja muzyka [Electronic music]. MusicAcademy. 718 (No. 2), pp. 77–89.

Olejnikov, K. (2003). Aranzhirovka (1-ja red.) [Arrangement (1st ed.)].Moscow: Phoenix.

Pereverzev, L. (1979). Fenomen disko [The phenomenon of disco]. Rovesnik.451 (No. 11), pp. 26-29.

Syrov, V. (1997). Stilisticheskie metamorfozy roka ili put' k «tret'ej» muzyke (1-ja red.) [Stylistic metamorphoses of rock or the path to "third" music (1st ed.)].Nizhny Novgorod: publishing house of the Nizhny Novgorod University.

Ship, S. (2001). Muzykal'naja rech' i jazyk muzyki (1-ja red.) [Musical speechand the language of music (1st ed.)]. Odessa: ed. OGK them. A.V. Nezhdanova.

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.