Interaction Of The Eastern And Western Beginning In Sonata-Maqom For Cello And Piano M. Bafoev
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Keywords

Makom
Sonata
usul
usulness
saltatory touches
pizzicato
col legno
sul ponticello
détache
spiccato

How to Cite

Bigashev, G. (2018) “Interaction Of The Eastern And Western Beginning In Sonata-Maqom For Cello And Piano M. Bafoev”, Eurasian music science journal. Tashkent, Uzbekistan, (1), pp. 7–11. doi: 10.52847/EAMSJ/vol_2018_issue_1/A1.

Abstract

The article discusses the work of M. Bafoev in the aspect of interaction between East and West in the composer's techniques and features performing the interpretation, in particular, the originality of bowing technique.

https://doi.org/10.52847/EAMSJ/vol_2018_issue_1/A1
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References

Matyakubov, O. (2005). Dodekagramma.

Matyakubov, O. (2015). Teoreticheskie osnovy. Uzbekskaya klassicheskayamuzyka [Theoretical foundations. Uzbek classical music]. Vol. II.

Bekker, H., Rinar, D. (1978). Tekhnika i iskusstvo igry na violoncheli[Technique and the art of playing the cello].

Korredor, M. (1960). Besedy s Pablo Kazalsom [Conversation with PabloKazalsom].

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