Dance Genres In Zoltan Kodaly Works
No. 1 (2019), Articles
No. 1 (2019)

Dance Genres In Zoltan Kodaly Works: Dance Genres In Zoltan Kodaly Works

Articles
https://doi.org/10.52847/EAMSJ/vol_2019_issue_1/A2
Published 2019-07-15
Antonina Budarina
The State Conservatory of Uzbekistan
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Keywords

folklore
dance genres
verbunkos,
simfonisation of dance
Magyarnota

How to Cite

Budarina, A. (2019) “Dance Genres In Zoltan Kodaly Works: Dance Genres In Zoltan Kodaly Works”, Eurasian music science journal. Tashkent, Uzbekistan, (1), pp. 1–13. doi: 10.52847/EAMSJ/vol_2019_issue_1/A2.
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Abstract

The article deals with various forms of implementation of dance genres in the works of the outstanding Hungarian composer Zoltan Kodaly. Analyzes the characteristics of dances in various cycles, such as "Dances from Marosszek", "Dances from Galanta", "Kalai Qetesh". The specificity of national originality of these opuses is revealed in comparison with the cycles of dance pieces of some other XIX – XX century’s composers.

https://doi.org/10.52847/EAMSJ/vol_2019_issue_1/A2
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References

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Martynov, I. (1970). Zoltan Koday [Kodály Zoltán]. Moscow: Sovetskiy kompozitor [Soviet composer].

(1966). Muzyka Vengrii. Moscow: Muzyka [Music].

Koday, Z. (1962). Izbrannye stat’i. Moscow: Sovetskiy kompozitor [Soviet composer].

Koday, Z. (1961). Vengerskaya narodnaya muzyka (Hungarian folk music). Budapesht: Korvina.

Sabolchi, B. (1964). Istoriya vengerskoy muzyki [History of Hungarian music]. Budapesht: Korvina.

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