Three Generations Of Women-Composers In Uzbekistan
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Keywords

Uzbekistan
gender
composer
art
culture
musical

How to Cite

Kabdurakhmanova, L. (2021) “Three Generations Of Women-Composers In Uzbekistan”, Eurasian music science journal. Tashkent, Uzbekistan, (1), pp. 75–85. doi: 10.52847/EAMSJ/vol_2021_issue_1/54.

Abstract

The years of independence have been given to the musical art, and in particular to the piano creativity of the composers of Uzbekistan to realize the richest potential of spiritual and creative opportunities, to deeply understand their past, national culture, to open its potential in the context of cultural and spiritual renewal.

This article is devoted to the problem of gender equality in Uzbekistan on the example of women music artists, despite the small percentage of female composers.

From the first day of independence, the composers actively joined the process of spiritual revival and growth of national self-consciousness, inspired by the spirit of faith in their own strengths, freedom of creativity, confident of the bright future of our country and our people.

This article examines the work of three women composers of Uzbekistan and their attempt to express through it their vision of the world.

https://doi.org/10.52847/EAMSJ/vol_2021_issue_1/54
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References

Mamadjanova, E. (2020). Traditional music of the Uzbeks. Tashkent:Musiqa.

Yanov-Yanovskaya, N. (1979). Uzbekskaya simfonicheskaya muzika [Uzbeksymphonic music]. Tashkent: Publishing House of Literature and Art named afterGafur Gulyam.

Gulzarova, I. (2019). Dilorom Saydaminova: Jizn v gamme zvukov [DiloromSaydaminova: Life in a range of sounds]. Tashkent: Baktria press.

Sharipova, A. (2014). Prelomlenie [Refraction]. Tashkent: Publishing Houseof the National Library of Uzbekistan named after Alisher Navoi.

Polatkhanova, N. (2006). Spetsialnoe fortepiano [The Special Piano].Tashkent: Musiqa.

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