Abstract
Animation is a unique form of cinema, having its own specific means of expression, forms and genres. This art form has an amazing history of development. It is interesting to understand the specifics of multiplication through the analysis of the interaction of audio and video sequences. Having traced the history of the development of animation in the Soviet Union and partly in the United States, we stopped at the analysis of the works of the Uzbek master of cartoon art. Our goal is to identify the relationship issues of audio and video series
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