No. 2 (2020)

Published

https://doi.org/10.52847/EAMSJ/vol_2020_issue_2

2020/2

Articles

Marat Gumarov, Madina Fayziyeva, Vladimir Ovchinnikov

1-20

Artistic Aspects Of The Performing Interpretation Of Piano Ensemble Music By The Ligeti György

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Munavara Abdullaeva, Shokhida Gafurova

93-110

Challenges, Experience and Efficiency of Distance Education System Introduced in Uzbekistan’s State Conservatory During Pandemic

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Botir Rakhimov

21-27

The Eternity of Lazgi

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Adilhoca Azizov

55-73

Violin and Piano Pieces by Fattakh Nazarov in Concert-Performing and Educational-Pedagogical Practice

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Galina Shamirzaeva

46-54

Questions of the Performing Interpratation of the Song without Words op.109 F. Mendelssohn

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Aleksey Khmirov

28-45

The System of Music Education in Azerbaijan: the Role of Sound Engineering and Concert Sound Engineering in the Educational Process

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Saodat Djurabekova

85-92

Arganun (Organon) - in the outlook of Medieval Eastern Thinkers

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Khumoyun Khaydarov

74-84

In Studying the History of Uzbek Music Culture the Place of the Bayoz

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Feruza Mukhamedova

111-120

Features of the performance of compositions by romantic composers in Uzbekistan ( on the example of Liszt's creativity)

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Fatima Nurlybayeva

158-169

Memory of the Turkic World: Historical Records of Turkic-Speaking Prisoners-of-War of The Vienna Phonogram Archive

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Anvar Raimdjanov

121-132

Characteristics of the structure of quartet cycles and their interpretation (on the example of the works of the Vienna classics)

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Shoyista Ganikhanova

148-157

Film music of Uzbekistan in the context of the problem of the synthesis of arts

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Galiaskar Bigashev

133-147

Sonatina for Cello and Piano by Zoltan Kodaly in the Light of Stile Evolution

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