Keywords
piano
performance
interpretation
music
rhapsody
concert
How to Cite
Abstract
Romantic art is a high example of lyrical-psychological, vital-truthful embodiment of the inner spiritual world of a person. The attraction to figurative concreteness, the desire to fill the sound of the piano with emotional warmth and intonation expressiveness, the colorful characteristics of different keys, characteristic of romantic composers, are fertile material for performers. It is difficult to count all the romantic composers of different national schools, who differ from each other in their original piano style, imaginative sphere and artistic thinking. Pianists of Uzbekistan, the most frequently performed such works of the romantics, as the piano concertos of F.Chopin, R. Schumann, E. Grieg, J. Brahms. Among them, a huge layer of the piano heritage of the great Hungarian composer Franz Liszt (1811-1886) remains steadily relevant and arouses interest. The versatility of the creative hypostases of F.Liszt gives grounds for a powerful development of research thought in the study of each of the individual spheres of his activity. In scientific research devoted to F.Liszt, the questions of performing interpretation of his numerous piano compositions occupy an important place.
References
Kulyabko-Koreskiy, M., Buyukli, V. (1918). Iskusstvo i kultura Turkestana [Art and culture of Turkestan]. 1.
Alekseev, A. (1967). Istoriya fortepiannogo iskusstva [History of piano art (Part II)]. Moscow. p. 285.
Kalmykova, G., Yusupova, O., Gilin, V. etc (1989). Istoriya fortepiannogo, kamernogo i ansamblevogo ispolnitelstva [History of piano, chamber and ensemble performance in Uzbekistan]. Tashkent. p. 96.
Rabinovich, D. (1979). Ispolnitel i stil [Artist and style]. Moscow. p. 320.
Lawhon, G. L. (1911). The Poetic Ideal in the Piano Music of Franz Liszt: A Lecture Recital, Together with Three Recitals of Music by Mozart, Beethoven, Schubert, Chopin, Brahms, and Contemporary European and North American Composers. Dissertation, December 1972. Denton, Texas. Retrieved from (https://digital.library.unt.edu/ark:/67531/metadc504470/m1/1/: accessed November 28, 2020). University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu.
Esman, O., Kalinina, G. (2018). Evolyutsiya mirovozzreniya Ferenza Liszta na fone intellektualnogo klimata epohi [Evolution of Franz Liszt's worldview against the background of the intellectual climate of the epoch]. Retrieved from https://cyberleninka.ru/article/n/evolyutsiya-mirovozzreniya-ferentsa-lista-na-fone-intellektualnogo-klimata-epohi/viewer.
Kuznetsova A., Kurganskaya O. (2019). Ispolnitelskaya svoboda v kontekste romanticheskovo mirooshusheniya: ot F.Liszta k N.K.Metneru. [Performing freedom in the context of a romantic worldview: from F. Liszt to N. K. Metner]. Vestnik Moskovskogo Gosudarstvennovo Universiteta Kul`Turi i Iskusstv [Bulletin of The Moscow State University of Culture And Arts]. Retrieved from https://cyberleninka.ru/article/n/ispolnitelskaya-svoboda-v-kontekste-romanticheskogo-mirooschuscheniya-ot-f-lista-k-n-k-metneru.
Mukhamedova, F. (2019). Formation, Development of Piano Performance and Education of Uzbekistan. Eurasian Music Science Journal. No. 1, article 5. Retrieved from https://uzjournals.edu.uz/ea_music/vol2019/iss1/5.
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.